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The Kate McKinnon Zoom Ad in the ALCS Proves MLB Thinks We’re the Product

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Tampa Bay Rays logo on gradient background
Tampa Bay Rays logo on gradient background — Created by the Sports On Tap desk | Source : Sports On Tap (team logos property of their respective owners)

Last night, in Game 6 of the American League Championship Series between the Tampa Bay Rays and the Cleveland Guardians, we hit a moment that should have been pure October baseball magic. Bottom of the third, Rays up 2-0, Junior Caminero just worked a walk to put two runners on with no outs. Cleveland was already digging deep into their bullpen, on their fourth pitcher of the night. Freddy Peralta was dealing for the Rays, looking unhittable through the first three innings, just like he has all postseason. This was it, right? The biggest moment in the game up to that point, that subtle early-inning spark where you think, “this could really blow open right here.”

When Ad Breaks Take Over the Game

So, what did the TBS broadcast do with this tension? Did they ramp up the commentary, detailing Guardians pitcher Joey Cantillo’s repertoire with runners in scoring position? Did they zoom in on the next batter, Chandler Simpson, giving us his offensive profile and how he might approach the at-bat? Did they even mention Simpson’s name as Caminero strolled to first? Nope. Not even close. Instead, BAM! We got Kate McKinnon, dressed like David Bowie, talking in some weird, “slightly different than normal” accent, popping onto our screens to celebrate Zoom. Yeah, THAT Zoom. The one responsible for half our daily misery.

It was baffling, man. In the absolute biggest moment of the game so far, a critical juncture for any real baseball fan, MLB and TBS decided to pull us out of the action completely. They stopped talking about the game, the stakes, the players, so we could all be reminded about a video conferencing app. Seriously? You think anyone, anywhere, at that exact second, wanted to see that in-game ad? Of course not. It was a conscious choice to degrade the product and alienate the very people tuning in.

The Harsh Truth: Fans Are The Product

If you’re sitting there thinking that’s just a wild, weird mistake, think again. This wasn’t some oopsie. This highlights the dirty little secret of baseball’s business model: we fans aren’t actually the consumers. We’re the product. MLB’s entire operation is built around capturing our eyeballs, our hearts, our attention, and then straight-up packaging it all to sell to their corporate partners. We’re talking advertisers, real estate development companies, the TV networks, the streamers, and yeah, even the gambling companies.

That’s why these broadcasts pull stunts like cutting away from a crucial moment for an ad. They know they have our attention, and they’re monetizing it, plain and simple.

Why This Hurts the Game We Love

This same philosophy explains so much of what frustrates us about the league these days. Why do you think Rob Manfred seems so unbothered that broadcast rights are so fragmented now, making it harder for us to even watch games we want to see? Why do postseason broadcasts consistently miss the first pitch of an inning just to finish airing a commercial? It’s all connected. The league is so focused on selling access to *us* that they forget they’re supposed to be providing a game for *us*.

It’s wild to think that 107 years ago, a gambling scandal nearly wiped out MLB and led to the creation of the commissioner’s office in the first place, meant to protect the integrity of the game. Now, it feels like the current office is allowing a different kind of erosion, one that prioritizes corporate partners over the actual fan experience.

So, as we keep watching the ALCS unfold, remember that bizarre Kate McKinnon Zoom ad. It was more than just a bad commercial break. It was a glaring billboard for exactly where MLB’s priorities lie, and it’s not with the passion and excitement that brought us to the game in the first place. We deserve better.

This article was created with AI assistance and published under Seattle On Tap’s editorial standards. See our Editorial Policy.

Originally reported by Over the Monster.

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